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	<title>Nola 09 - New York Times Student Journalism Institute &#187; Multimedia</title>
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	<link>http://nola09.nytimes-institute.com</link>
	<description>Dillard University - New Orleans, LA - May 2009</description>
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		<title>Video: The Drywall of China</title>
		<link>http://nola09.nytimes-institute.com/2009/06/02/video-the-drywall-of-china/</link>
		<comments>http://nola09.nytimes-institute.com/2009/06/02/video-the-drywall-of-china/#comments</comments>
		<pubDate>Tue, 02 Jun 2009 13:34:14 +0000</pubDate>
		<dc:creator>Leon Hendrix III</dc:creator>
				<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1764</guid>
		<description><![CDATA[Residents of New Orleans are discovering that their homes might have been rebuilt with drywall that has sulfur levels approximately 10 times higher than what United States government standards allow.]]></description>
			<content:encoded><![CDATA[<p>Residents of New Orleans are discovering that their homes might have been rebuilt with drywall that has sulfur levels approximately 10 times higher than what United States government standards allow.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>Interactive Map: Bayou Rock and Roll</title>
		<link>http://nola09.nytimes-institute.com/2009/06/01/interactive-map-bayou-rock-and-roll/</link>
		<comments>http://nola09.nytimes-institute.com/2009/06/01/interactive-map-bayou-rock-and-roll/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 14:57:19 +0000</pubDate>
		<dc:creator>Jessica Goff</dc:creator>
				<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1746</guid>
		<description><![CDATA[With Louisiana so historically marked as a state rich with famous jazz musicians, it's easy to overlook names like Hank Williams and Fats Domino.  These artists, among others, broke into the Rock and Roll scene by recording in places like Shreveport and Lake Charles.]]></description>
			<content:encoded><![CDATA[<p>With Louisiana so historically marked as a state rich with famous jazz musicians, it&#8217;s easy to overlook names like Hank Williams and Fats Domino.  These artists, among others, broke into the Rock and Roll scene by recording in places like Shreveport and Lake Charles.  Use this map to find more local legends.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Video: The Housing Blues</title>
		<link>http://nola09.nytimes-institute.com/2009/05/31/video-the-housing-blues/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/31/video-the-housing-blues/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 03:00:46 +0000</pubDate>
		<dc:creator>Richard White</dc:creator>
				<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1743</guid>
		<description><![CDATA[After Hurricane Katrina finding housing was rough for local New Orleans musican J.D. Hill. He now lives in Musicans' Village in the Upper 9th Ward.]]></description>
			<content:encoded><![CDATA[<p>After Hurricane Katrina finding housing was rough for local New Orleans musican J.D. Hill. He now lives in Musicans&#8217; Village in the Upper 9th Ward.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interactive Map: Park and Playground Conditions in Lakeview</title>
		<link>http://nola09.nytimes-institute.com/2009/05/29/interactive-map-park-and-playground-conditions-in-lakeview/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/29/interactive-map-park-and-playground-conditions-in-lakeview/#comments</comments>
		<pubDate>Fri, 29 May 2009 22:00:14 +0000</pubDate>
		<dc:creator>Dale W. Clarke II</dc:creator>
				<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1696</guid>
		<description><![CDATA[Nearly four years after Katrina floodwater destroyed many of the parks and playgrounds in Lakeview, the city has made different levels of progress in repairing the damage.]]></description>
			<content:encoded><![CDATA[<p>Nearly four years following Hurricane Katrina, many New Orleans playgrounds are still undergoing renovation.  While 90 out of 125 parks and playgrounds are deemed open, some still need a number of repairs such as fencing and lighting and shelter restorations.  Many of the playgrounds have been assigned architects, but officials estimate all the parks and recreational facilities won&#8217;t be complete until next summer. The estimated cost to design, plan and construct the remaining facilities is $70 million.</p>
<p>This map of the Lakeview neighborhood, which was mostly flooded after the 17<sup>th</sup> Street levee breached, shows different levels of progress in the city&#8217;s efforts to restore damaged parks.</p>
<p><em>Water level information referenced from http://www.nola.com.</em></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Video: Death of a Salesman</title>
		<link>http://nola09.nytimes-institute.com/2009/05/28/video-death-of-a-salesman/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/28/video-death-of-a-salesman/#comments</comments>
		<pubDate>Fri, 29 May 2009 03:14:30 +0000</pubDate>
		<dc:creator>Joseph L. Cook</dc:creator>
				<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1511</guid>
		<description><![CDATA[On June 9, Orleans Dodge Chrysler Jeep LLC in New Orleans East is set to become one of two Chrysler dealerships in the New Orleans area to close. Co-owner Mike Comiskey is fighting back.]]></description>
			<content:encoded><![CDATA[<div class="fact_box">
<h5>Related Article</h5>
<ul>
<li><a href="http://nola09.nytimes-institute.com/2009/05/27/after-surviving-katrina-a-local-car-dealer-becomes-a-casualty-of-the-economy/">After Surviving Katrina a Local Car Dealership Becomes a Casualty of the Economy</a></li>
</ul>
</div>
<p>On June 9, Orleans Dodge Chrysler Jeep LLC in New Orleans East is set to become one of two Chrysler dealerships in the New Orleans area to close. Co-owner Mike Comiskey is fighting back.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Serving Up the Bywater</title>
		<link>http://nola09.nytimes-institute.com/2009/05/27/serving-up-bywater/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/27/serving-up-bywater/#comments</comments>
		<pubDate>Thu, 28 May 2009 00:39:53 +0000</pubDate>
		<dc:creator>Leon Hendrix III</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[French Quarter]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1141</guid>
		<description><![CDATA[Bartender Chris Hannah reveals how to make this specialty drink served at the French 75 bar.]]></description>
			<content:encoded><![CDATA[Bartender Chris Hannah reveals how to make this specialty drink served at the French 75 bar.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Video: A Day to Dance</title>
		<link>http://nola09.nytimes-institute.com/2009/05/27/a-day-to-dance/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/27/a-day-to-dance/#comments</comments>
		<pubDate>Wed, 27 May 2009 18:28:52 +0000</pubDate>
		<dc:creator>Joseph L. Cook</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Bayou Boogaloo]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1119</guid>
		<description><![CDATA[Experience the sights and sounds of the Bayou Boogaloo music festival.
]]></description>
			<content:encoded><![CDATA[<p>Experience the sights and sounds of the Bayou Boogaloo music festival.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Photo Gallery: Longshoremen Try to Stay Afloat in Uncertain Economy</title>
		<link>http://nola09.nytimes-institute.com/2009/05/27/longshoremen-try-to-stay-afloat-in-uncertain-economy/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/27/longshoremen-try-to-stay-afloat-in-uncertain-economy/#comments</comments>
		<pubDate>Wed, 27 May 2009 04:27:44 +0000</pubDate>
		<dc:creator>Mylan Cannon</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Port of New Orleans]]></category>
		<category><![CDATA[Union]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=1037</guid>
		<description><![CDATA[The Port of New Orleans is more than just a grand ensemble of massive machines and impressive ingenuity.]]></description>
			<content:encoded><![CDATA[<p>&#8220;We stick together; it&#8217;s like a family,&#8221; says the International Longshoremen&#8217;s Association Local No. 3000 president, Kenneth Crier. The Port of New Orleans is more than just a grand ensemble of massive machines and impressive ingenuity. It is also a place where people like Leon Slan have worked for over 30 years and where a union exists to bring together longshoremen to assure &#8220;work and the quality of work,&#8221; says Crier. While being in the union has benefited longshoremen over the years, the state of the economy is taking its toll on the union and the amount of work the longshoremen get. They must seek work at the port every day, but many of them are disappointed and try again the next day, often with no success. Crier says this would not have been the case five years ago. Some longshoremen say they believe that while the economic slump affected them  last, when the economy recovers, they will be the last to benefit.</p>
]]></content:encoded>
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		<item>
		<title>Video: Return of the Word</title>
		<link>http://nola09.nytimes-institute.com/2009/05/26/return-of-the-word/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/26/return-of-the-word/#comments</comments>
		<pubDate>Tue, 26 May 2009 23:46:06 +0000</pubDate>
		<dc:creator>Leon Hendrix III</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=989</guid>
		<description><![CDATA[A new generation of Spoken Word artists are emerging in New Orleans.
]]></description>
			<content:encoded><![CDATA[<p>A new generation of Spoken Word artists are emerging in New Orleans.</p>
]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>Audio Slideshow: Two Bands. One Tradition</title>
		<link>http://nola09.nytimes-institute.com/2009/05/26/two-bands-one-tradition/</link>
		<comments>http://nola09.nytimes-institute.com/2009/05/26/two-bands-one-tradition/#comments</comments>
		<pubDate>Tue, 26 May 2009 15:55:50 +0000</pubDate>
		<dc:creator>Kenneth Hawkins</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Arts]]></category>

		<guid isPermaLink="false">http://nola09.nytimes-institute.com/?p=889</guid>
		<description><![CDATA[Dating to the early 19th century, brass bands — with their trumpets, tubas, trombones, saxophones and booming bass drums — continue to set the rhythm of the city. But now, they play in two widely different styles. ]]></description>
			<content:encoded><![CDATA[<p style="margin: 0in 0in 6pt">Over the years brass bands have moved the spirit of New Orleans, marching through the streets, playing at clubs and accompanying the life of the city, from weddings to funerals.</p>
<p style="margin: 0in 0in 6pt">Dating to the early 19<sup>th</sup> century, brass bands &#8211; with their trumpets, tubas, trombones, saxophones and booming bass drums &#8211; continue to set the rhythm of the city. But now, they play in two widely different styles.</p>
<p style="margin: 0in 0in 6pt">Older bands, like the Treme Brass Band, carry on a tradition long identified with the jazz clubs of the city, playing slow, non-amplified, but still rollicking numbers, their members dressed alike in black and white with white caps and ties.</p>
<p style="margin: 0in 0in 6pt">A newer kind of band, which started appearing in the 1970s, is more likely to play in a louder, faster, electrified style, performing in whatever outfits suit their style. The Soul Rebels, is one such band their sound  heightens the level energy by adding funk and playing contemporary works.</p>
<p style="margin: 0in 0in 6pt">Benny Jones Sr., leader of the Treme Brass Band, always had music in his life, most directly from his father, who played drums in the Eureka Brass Band. After founding the Dirty Dozen Brass Band, Jones founded the Treme Band in 1975, naming it after the community where he has lived all his life. The band&#8217;s traditions include singing in Creole.</p>
<p style="margin: 0in 0in 6pt">Lamar LeBlanc, leader of the Soul Rebels, has also been involved in music most of his life. After playing with the Olympia Brass Band, he formed his own band in 1990.</p>
<p style="margin: 0in 0in 6pt">While the Treme band&#8217;s bass drummer, Lionel Batiste, 76, beats his drum in a more traditional way, without electronic microphones amplifying sound, the Soul Rebels tuba player, Edward Lee, promotes the newer, louder style, nearly blowing listeners back in their seats. And trumpet players Marcus Hubbard and Tannon Williams play in the highest register of the trumpet.</p>
<p style="margin: 0in 0in 6pt">The newer band&#8217;s informal look has its critics, who say it takes away from the professionalism in the business. It seems to also remove the juke-joint feel of traditional jazz.</p>
<p style="margin: 0in 0in 6pt">Jones says that while the newer bands may look, and sound, different, what&#8217;s most important is that all generations remember the foundation of brass band music and that the profession should be taken seriously.</p>
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